ANMER / FRAMED PRINT
ANMER / FRAMED PRINT
Anmer from the series FARMED
Limited Edition artist-made silver gelatin print
Edition 2/50
From the FARMED book launch & signing at Paris Photo (2016)
with signed certificate of authenticity
Image size : 17.5 × 17.5 cm / 7 × 7 inches
Framed size : 32 × 32 × 3 cm / 12.5 × 12.5 × 1.25 inches
FRAMING SPECIFICATION :
Glazing : 70% UV protection
Moulding : Solid oak box frame stained brown-black
Mount : Ivory museum board
Museum standard conservation framing by Simon Beaugie Picture Frames Ltd.
Simon Beaugie produces bespoke artisan frames for London’s leading galleries
SHIPS WITHIN THE UK ONLY :
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Unfortunately we are unable to ship framed prints outside the UK.
FARMED, the second part of The Fenland Trilogy was first published by Dewi Lewis Publishing in 2016 introduced by Collier Brown in the essay Constructing Fate : Paul Hart’s Farmed Landscapes. The book was launched at Paris Photo to considerable critical acclaim and quickly sold out, with a second edition published in 2018 to coincide with the release of DRAINED the second part of the trilogy. Now long out of print, rare copies of FARMED exchange hands for far more than the price of the Special Limited Edition.
Anmer was first exhibited at the Grand Palais during the 20th Edition of Paris Photo in 2016 and went on to be shown at Somerset House during Photo London (May, 2017) and at The Photographer’s Gallery Bookshop (London). The picture continues to be widely exhibited and recently featured in Hart’s debut USA show Paul Hart : The Fens at the Etherton Gallery (Tucson, AZ). In 2019 The Fenland Trilogy received the inaugural Wolf Suschitzky Photography Prize (UK/Austria) and a series of prints from the series are held in the permanent collection at the V&A Museum (London).
“The landscapes in Paul Hart’s series, Farmed, are at once beautiful and beleaguered, full and empty, alive and dead. The disappearances between these conditions are the true subjects. One feels their presence in every photograph....Hart’s photographs raise important questions about possession, ownership, mobility, stewardship, history, memory, perspective - the list goes on. But none of these would matter much if these photographs were not, in their attention to the poetry of the place, earnest and moving.”










