TRUNCATED

2005 - 2008


 
A culture is no better than its trees.
— W.H Auden
 
 

Portal

 

TRUNCATED is an intensive portrayal of an ageing pine forest plantation in Derbyshire (England) made over a three year period on repeated visits to the same forest. By exploring the natural spirituality of the place, which is largely unaffected by the modern world, Hart identifies a landscape where nature finds shelter and protection from its own elemental chaos. The series was made on large and medium format film cameras and the narrative is enhanced by Hart’s use of traditional darkroom printing techniques.

Long out of print, TRUNCATED was published by Dewi Lewis in 2009 with an essay by Gerry Badger. Hart has received a number of international awards for this work and the publication is held in important library collections such as the V&A Museum, TATE and the Martin Parr Foundation. TRUNCATED was exhibited at the Harley Museum Gallery in the Spring-Summer 2024.

Guardian

Cocoon

Stave

Warrior

Sinew

Snare

Polyphony

Arcane

Citadel

Alien

Genus

Bastion

Muscle

Arena

Shroud

Colony

Sentinel

Border

 

Monograph

TRUNCATED | Dewi Lewis Publishing

First published 2008 | Out of Print

Essay : Meetings with Unremarkable Trees by Gerry Badger

VIEW BOOK


 

EXHIBITION PRINTS

TRUNCATED comprises 37 pictures available in limited editions :

Silver gelatin prints

Image sizes up to : 16 x 20 in / 40.6 x 50.8 cm

Large-scale fibre based baryta prints :

40 x 50 in / 102 x 127 cm

Printed by Paul Hart


DOWNLOADS | LINKS

Contact sheet photographic plates (pdf)

Exhibition Install (link)

PRESS


TRUNCATED in OTHER PUBLICATIONS

Looking At Trees | Sophie Howarth (Hoxton Mini Press) 2023

Into The Woods | Martin Barnes (Thames & Hudson/ V&A) 2019

Looking at Images | Brooks Jensen (Lenswork Publishing) 2014

 
Paul Hart’s images of single trees function like portraits, highlighting character and nuanced individualities - with one important difference. Trees do not react like people when a camera is pointed at them. Tree ‘portraits’ depend solely on the sensibility of the photographer… His rich, dark prints capture the Stygian gloom of the dense pine forest perfectly, where trees are so close together that little light reaches their inner depths
— Gerry Badger