FRAGILE
UPCOMING APRIL 2024
DEWI LEWIS PUBLISHING
Editions : 2024 (1st edition) upcoming April
Hardback 295mm x 295 mm
108 pages | 51 Duotone Plates
Printed at EBS Verona (Italy)
ISBN : 978-1-916915-07-7
Paul Hart’s new series FRAGILE is a personal reflection on nature and was made in the landscape close to his home in England. The aesthetic is rooted in the notion of a heightened awareness of the natural world, of both a physical engagement and spiritual connection to the land. Whilst becoming absorbed in this instinctual, visceral approach, Hart has become acutely aware of both the physical beauty and delicate vulnerability of these natural forms. Although concerns of the environment and sustainability are present throughout, FRAGILE departs from the central study of place usually associated with his work, to evoke a more abstract ethereal sensibility. In keeping with Hart’s longstanding practice to work in analogue, FRAGILE is made on medium format film cameras and printed by Hart as gelatin silver prints.
THE FENLAND TRILOGY
DEWI LEWIS PUBLISHING
Hart's Fenland Trilogy is published as stand alone monographs FARMED, DRAINED and RECLAIMED released over five years from 2016 to 2020. Reprints of both FARMED and DRAINED were issued during this time with both editions of FARMED now out of print. The series has won a number of international awards and received considerable critical acclaim. In 2018 Hart was awarded the inaugural Wolf Suschitzky Photography Prize (Austria/UK) and was most recently nominated for the 2023 Louis Roederer Photography Prize for Sustainability.
The Fens, originally a region of low-lying marshland in the east of England, have been cleared and artificially drained over centuries to provide some of Britain’s most fertile agricultural land. It is now a landscape of agribusiness with monoculture at it’s core, defined by mechanisation and productivity. Paul Hart has photographed the area for over ten years. His narrative examines the complex interrelation between humanity and nature and raises important questions about human-altered topography and our occupation and stewardship of this land. People are depicted by the shaping of the land, with the constant dynamic of dependency and control ever present. By combining a documentary approach with a personal aesthetic, this environment is sensitively revealed as a strangely beautiful place.
FARMED
PART ONE | 2016
DEWI LEWIS PUBLISHING
Essay : Steven Collier Brown (English)
Editions : 2016 (1st ed.) | 2018 (2nd ed.)
ISBN : 978-1-907893-97-1 Out of Print
“The landscapes in Paul Hart’s series, Farmed, are at once beautiful and beleaguered, full and empty, alive and dead. The disappearances between these conditions are the true subjects. One feels their presence in every photograph....Hart’s photographs raise important questions about possession, ownership, mobility, stewardship, history, memory, perspective - the list goes on. But none of these would matter much if these photographs were not, in their attention to the poetry of the place, earnest and moving ”
DRAINED
PART TWO | 2018
DEWI LEWIS PUBLISHING
Essay : Francis Hodgson (English)
Editions : 2018 (1st ed) | 2020 (2nd ed)
ISBN : 978-1-911306-37-5
“Paul Hart is a photographer interested in the slow harvesting of hidden truth from the ordinary places that most of us pass by. He works in an unfashionable idiom with slow cumbrous equipment (not just old-fashioned analogue photography, but medium format analogue photography, slower still) in an unfashionable place. He seeks to find the bits of the land that speak their stories, and to transmit their importance in views which, typically, the absolute lack of melodrama demands slow looking and brings slow revelation. Hart’s placid, formally peaceful landscape is pregnant with stories that lurk in the mud or the mist. His magic lies in soliciting from his viewers the same half-historical, half romantic reaction to ploughed fields and straight drainage ditches as he gets from them himself. ”
RECLAIMED
PART THREE | 2020
DEWI LEWIS PUBLISHING
Essay : Isabelle Bonnet (English & French)
Editions : 2020 (1st edition)
ISBN : 978-1-911306-64-3
“Hart’s landscapes create a dialogue between art and document, lyricism and storytelling, the sublime and the ordinary. Almost everywhere, rectilinear and regular shapes unfold, impeccably drawn furrows responding to rows of trees, industrial constructions and metal structures... No movement animates this nature morte, no bird awakens these low and heavy skies and endless horizons... Unlike the sort of landscape photography that long incarnated the collective and historical body of the nation, Hart’s images take on a universal value : the battered and exhausted Fens resonate like a subtle metaphor for what humanity engenders and inflicts on itself.”
TRUNCATED
DEWI LEWIS PUBLISHING
TRUNCATED (2005 - 2008) is an intensive portrayal of an ageing pine forest plantation in Derbyshire, England made over a three year period on repeated visits to the same forest. Hart identifies a landscape where nature finds shelter and protection from its own elemental chaos by exploring the natural spirituality of the place, which is largely unaffected by the modern world. The series was made on large and medium format film cameras and the narrative is further enhanced by Harts’ use of traditional darkroom printing techniques.
The series has won a number of international awards and the book, which is now long out of print, is highly sought after.
DEWI LEWIS PUBLISHING
Essay : Gerry Badger (English)
Editions : 2009 ( 1st edition)
ISBN : 987-1-90457-69-9 Out of Print
“Paul Hart’s images of single trees function like portraits, highlighting character and nuanced individualities - with one important difference. Trees do not react like people when a camera is pointed at them, tree ‘portraits’ depend solely on the sensibility of the photographer.”
Hart’s monographs are held in a number of important Library Collections including ; The Victoria & Albert Museum, Tate, MoMA and the Martin Parr Foundation.