RECLAIMED

2018 - 2019


 
The paradox is that it is much easier to imagine the end of life on earth than a much more modest change in capitalism
— Slavoj Žižek
 
 

Old Bedford River

 
 
 

RECLAIMED concludes Hart’s three-part series on The Fens in England. The trilogy, which began with FARMED (2016) and DRAINED (2018), received considerable critical acclaim and was awarded the inaugural Wolf Suschitzky Photography Prize (Austria/UK) and in 2019 was shortlisted for the HARIBAN Award (Japan).

The Fens is a region of low-lying marshland in the east of England, which have been artificially drained over centuries to provide some of Britain’s most fertile agricultural land. It is a landscape of agribusiness with monoculture at it’s core, defined by human migration and long-term reclamation from the sea. Paul Hart has photographed the area for over ten years. His narrative examines the complex interrelation between humanity and nature and raises important questions about human-altered topography and our occupation and stewardship of this land. By focusing on the often-overlooked elements in familiar vistas Hart’s aesthetics carry a documentary sensibility that allow the landscapes to define themselves. He works solely with the analogue process employing traditional darkroom practice to convey something of the soulful in a landscape that is rarely considered of aesthetic merit.

 
 

Walsingham Fen

Bass Maltings

Five Towns Pumping Station

Walcott Fen

Billinghay

Dogdyke

Cemetery Road

Stow Bardolph

Holbeach St. Johns

Clay Lake Bank

Holland Road

Shire Drain South

Hurdle Tree Bank

Walpole St. Andrew

Garwick

North Terrace

Nene Banks

Brothertoft

Delph Bridge

Well Creek

Walpole Marsh

Billinghay Skirth

Orchard Caravan Park

South Brink

Macmillan Way

Cradge Bank

 
 
 

RECLAIMED | Monograph

Dewi Lewis Publishing | First edition 2020

Essay : Denatured Landscape by Isabelle Bonnet French & English translation.

BUY THE BOOK


EXHIBITION PRINTS

RECLAIMED comprises 52 pictures available in limited editions :

Silver gelatin prints

Image sizes up to : 18 x 18 in / 46 x 46cm

Large-scale fibre based baryta prints :

40 x 40 in / 102 x 102 cm

Printed by Paul Hart

 

DOWNLOADS | LINKS

RECLAIMED Press Release (pdf)

Exhibition Install (link)

PRESS


RECLAIMED in OTHER PUBLICATIONS

This Pleasant Land | Rosalind Jana (Hoxton Mini Press) 2022

Another County | Gerry Badger (Thames & Hudson/MPF) 2022

 
Hart’s landscapes create a dialogue between art and document, lyricism and storytelling, the sublime and the ordinary. Almost everywhere, rectilinear and regular shapes unfold, impeccably drawn furrows responding to rows of trees, industrial constructions and metal structures... No movement animates this nature morte, no bird awakens these low and heavy skies and endless horizons... Unlike the sort of landscape photography that long incarnated the collective and historical body of the nation, Hart’s images take on a universal value : the battered and exhausted Fens resonate like a subtle metaphor for what humanity engenders and inflicts on itself.
— Isabelle Bonnet